‘Mass Imperfections’ reintroduces human error as a fundamental element of creativity. Mass production considers errors as something that should be rooted out progressively. On the other hand, it is because human production – as opposed to mass production –is defined by its unreliability that it can create surprise and awe.

Errors are embedded in human production. They are not a pathology that needs to progressively disappear. The structure takes its cues from computer art. The glitch is at the basis of its creative process: temporary malfunctions of machines trigger unheard of ways of seeing reality. The structure, in fact, is a constellation of glitches. It celebrates humanity in its mass imperfections. It should stand as a reminder of what Palestine has to offer to the world: an imperfect, yet electrifying, blend of traditionalism and sci-fi dreams.